Compose a one-page monologue. It should illustrate personality traits and guiding values of a character in the story in a creative fashion.
By definition, a monologue is a composition that gives the discourse of one speaker. It represents what someone might speak aloud in a situation in which there are listeners although the listeners do not speak.
Choose one of these stories to write a monologue, including background of the author.
Research the author’s background and relate in two or three paragraphs how his or her writings were meant to affect society. This should go at the top of the page, then the monologue.
Be sure to include a Works Cited at the bottom of the monologue; you will not need an outline.
Compose a one-page monologue. It should illustrate personality traits and guiding values of a character in the story in a creative fashion.
By definition, a monologue is a composition that gives the discourse of one speaker. It represents what someone might speak aloud in a situation in which there are listeners although the listeners do not speak.
Choose one of these stories to write a monologue.
Research the author’s background and relate in two or three paragraphs how his or her writings were meant to affect society. This should go at the top of the page, then the monologue.
Be sure to include a Works Cited at the bottom of each monologue; you will not need an outline.
Compose a one-page monologue. It should illustrate personality traits and guiding values of a character in the story in a creative fashion.
The Story of an Hour
by Kate Chopin
Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death.
It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. Her husband’s friend Richards was there, too, near her. It was he who had been in the newspaper office when intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of “killed.” He had only taken the time to assure himself of its truth by a second telegram, and had hastened to forestall any less careful, less tender friend in bearing the sad message.
She did not hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment, in her sister’s arms. When the storm of grief had spent itself she went away to her room alone. She would have no one follow her.
There stood, facing the open window, a comfortable, roomy armchair. Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul.
She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. The delicious breath of rain was in the air. In the street below a peddler was crying his wares. The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves.
There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window.